Brief introduction:

Opening any large book of world art history, the Wu Liang Shrine is a necessary example representing China. In this sense, the Wu Liang Shrine has the same status as the Parthenon and Mona Lisa. Since the 19th century, countless Westerners have learned about Eastern art and civilization through the Wu Liang Shrine: French sinologist Édouard Chavannes used the Wu Liang Shrine as a benchmark for examining Chinese Han Dynasty cultural relics; The British Ste⁃phen Wootton Bushell collected the rubbing of the Wu Liang Shrine and brought it back to Europe; Swedish sinologist Osvald Siren has repeatedly praised the artistic characteristics of the Wu Liang Shrine; Wilma Canon Fairbank, the wife of John King Fairbank, devoted her entire life to the study of the Wu Liang Shrine.

The documentary "the Wu Liang Shrine" focuses on the Wu Liang Shrine in Shandong Province as the core narrative object, focusing on the art of Chinese Han dynasty stone relief, and launching a global dialogue on art, history, culture, and other issues spanning two thousand years. The documentary interprets the Wu Liang Shrine from the perspective of the common cultural heritage of mankind, deeply excavates the stories of many characters that run through the ancient and modern times and across the east and west, presents an encyclopedia of ancient oriental ethnic groups with a small view of the earth, reveals the Chinese people's outlook on life, values and the universe, and has great historical, cultural and ideological values. After the broadcast of "the Wu Liang Shrine" on ShanDong Radio and TV station, it received rave reviews from all sectors of society, and there were continuous film offers at home and abroad. Beijing Radio & Television Station, Macau Broadcasting System, Radio Television Hong Kong, now jelli, and other channels broadcasted it successively, and it also entered art history classes at universities such as the University of Chicago.